Music Writing: Ave Maria for Christmas

Every year for the longest time, I have written (aka arranged) at least one piece of Christmas music.  This started out in church, where my family often sings or plays instruments.  We couldn’t find solos or duets for songs we wanted with our weird amalgamation of instruments and voices.  So I started arranging the music, and a personal Christmas tradition was born.  This year, I have chosen two: I want to write my own melody for an Ave Maria, and I want to arrange Riu Chiu for a choir.  Whether or not anyone actually sings or plays this remains to be seen, but I don’t care.  I am writing them.  First up… Ave Maria.  I am going to try to write my own melody to this beautiful and poetic prayer.

I don’t think mine will become a timeless classic like Schubert… but you never know :)

I use the freeware program called MuseScore to write my music at the moment.  In the “old days” I would use handmade staff paper, a pencil with a fresh eraser, and my mother’s piano.  Ah, how times have changed.
Before I wrote the music, I had to decide whether to have the song in English or Latin.  I put the lyrics below.  After a lot of flip flopping I decided to stick to traditional Latin.  I think it sounds more lyrical.

Now for the fun stuff: creating the titles! When you open a new project in MuseScore, this is the first thing that pops up, so it is easy to do. I just love looking at the title, and seeing my name somewhere underneath it is just another perk.

Next, I put together the musical instruments on the staves.  The instruments in question are 6 voices to cover a complete choir.  I intend to make a solo version and a piano version, but this is what I want to start with.  Now, the voice sounds on MuseScore do leave something to be desired, so while I am working on the song the voices will be exchanged for woodwind instruments.

I have been humming a tune for about a week that I decided was perfect for this carol.  So I put that down before I could forget it.  It sounded amazing to me.  And, if I remind myself to keep the melody simple, this little diddy should harmonize well.  MuseScore allows me to type the notes in using alphabet keys, as well as just use the mouse and literally place the notes where I want them.  And I can play back whenever necessary to keep the harmony in place.  However, I will say that computer instruments really do lack the emotion and personality of a live instrument.  That is why the sample below has all the dynamics below.  I wanted to hear the main melody of the alto (third bar line) above everything else.  Real singers could just be told where the melody lies, but the computer doesn’t like to be told such things.  Finicky computer…

As I wrote the tune out, I decided to type the lyrics in.  This is done by clicking on a note once, and pressing <CTRL L>.  Better still, you can go from one note to the next by typing a – or the space bar, so I can separate syllables without constantly clicking <CTRL L> over and over again.

Okay!  The melody has been put down, now time for the accompaniment.  In my opinion, the accompaniment is the most fun to write, because you can use it to create the mood of the song.  Yes, the melody is super important.  But the accompaniment decides if it will be a somber tune, a lively and up-tempo song, or a chord-chord-chord Christmas classic (if you don’t know what this is, look at how Christmas songs are written in any hymnal).  I love a plainsong, so my accompaniment will hopefully keep the song somber and just a little bit… melodramatic. 

I give the accompaniment license for a few measures at the beginning and the two stanzas of the prayer to give a little color to the song.  Oddly enough, my fingers decided that the accompaniment would be a round, with the voice alternating the same rhythms between the right and left hand.  I do this both times, with different musical rhythms.  It works so well, I can’t believe I wrote it when I hear the playback.  >POP!<  Pardon me, that was just my ego exploding just a little bit.

Ahhh… the song is coming along nicely.  But, as what often happens when I do something new, I have added a little too much dissonance, I think.  There are several places where I flinch now when I hear the clashing notes, and that shouldn’t happen in a Christmas carol, especially if I want it to be an instant classic (just kidding).  So I am now revamping several small bits of the accompaniment to keep it on the pleasantly plainsong side of slightly dissonant.

Of course, some of the areas are sacrosanct.  I absolutely love the harmonizing for the Iesus bars.  If I change that, my whole song would be totally different.  But, in the 6-part harmonies there is enough wiggle room that I may have gone a little out of control.

I am so almost done.  I only have a few small pockets of nothingness between me and a listening party with all my 2 readers!  Unfortunately, the burst of creativity that started this endeavor ran dry two days ago, and now I am slogging through a strong urge to stop.  I will continue until I am finished, but I will end this post for now.
To be continued on the second installment of Music Writing: Ave Maria.

Making a Mountain (Scrapbook Layout)

While trying to come up with ideas for the Utah-based honeymoon album I a making for our recently married niece, I decided to look at pictures on the internet from scenic vistas throughout the state.  I saw one that was just perfectly framed, and it hit me.  it is layers of mountains... I bet I could make a page based on this picture.  The original picture if found at the Bess Realty Group website, believe it or not.
First thing's first.  I collected cardstock from my collection that matched well enough to make the layered colors.  For the sky background and farthest mountains, I used cardstock with white centers, so I could sand them (as I will show a little later).  The rest was from my beloved Bazzill cardstock collection.  And I pulled all my green Ranger Distress inks and a couple of extras (Black Soot, Chipped Sapphire, Weatherd Wood, Crushed Olive, Bundled Sage, Forest Moss, Peeled Paint, Shabby Shutters, and Pine Needless).  The rest of the equipment are: a pair of scissors, a fine knife for detailed cutting, a very thin (#005) marker for light details, and a nail file for sanding.


The sky is easy enough to do.  I could just leave the pretty light blue background plain, but I wanted to put a scant few clouds, like in the picture.  So I tore the top off of the file, to make myself a tiny file, and sanded in a circular motion until I got the shapes I liked.  I also used some Q-tips for painting, but forgot to add them to the picture.  Easy.
         

Next, I traced a mountain range on the gray-blue paper, putting the highest peak on the right page, and lowering the left side so it will fall under the next layer.  I cut this out, using the fine blade to get a couple of cuts a little more rounded.  I inked the edges of the mountains with the Weathered Wood ink to disguise the white center.


Before I get to the distressing of it all, I went ahead and cut out the rest of the layers.  Next up is the blue-green paper.  On the left it rises above the mountain in the background, and on the right it is basically on the same level while the mountain towers above it.  I just freehanded a few mounds, making sure that they were not too high to cut off the mountain, or too low to make the front range look weird.  Then the front, light green layer, starts on the right about halfway down the page and just curves down across both pages, until it is close to the bottom left edge.  I used one piece of paper for both the left and right, to conserve.  I hoard my Bazzill paper almost religiously.


Here is, in my opinion, the coolest part.  I cut two and a half inches off the bottom to reduce bulk, but you can leave it in if you want to.  Then I wadded them up into small balls.  I carefully pulled them back out, and didn't flatten.  I used another piece of the nail file to sand certain areas, easily done by sanding the folds, to resemble little snow trails like in the picture.  To make the mountain shadows, I used Chipped Sapphire and rubbed it where I wanted it with my finger.  This gave it a smudgy look, instead of just inking any folds from the crumbling.  When the ink dries, then I flattened it enough to tape it down onto the background.


For the middle range, notice that there are trees on them.  However, they are so small that I was pretty sure I couldn't draw them.  So, I used the cast off paper from when I cut it and experimented with my greens until I found three that looked good to layer over each other.  I chose (Bundled Sage, Forest Moss, and Pine Needless).  I took the lightest ink, Forest Moss, and just slid it back and forth on the page, to give a layer of color to the matte green background.  Then, I took Bundled Sage and a Q-tip.  I tapped the tip onto the ink pad a few times until it was saturated, and then just made lines in areas where trees might be on both pages.  The darkest ink, Pine Needles, repeated these lines, until I had a mess of lines in groups on this layer.  I let it dry and taped it down onto the page.  It looks cool to me.

The bottom range is brighter, with larger trees. I had planned to make some trees with green mulberry paper, but I was unable to locate any.  Maybe mulberry has fallen out of style.  So, I decided to leave it blank.  This will be where any pictures or journaling my niece wants to do will be added.

The final result is very pretty.  And I proved to myself that I can be creative without a template or someone else's help.  And so can you.  Now, go choose a simple picture and amaze me.

No Time for Creativity

Welcome to my new blog, "No Time for Creativity."  This is my place to put what enspires me, what I like, and what gets me to create when I come home from work too exhausted to do anything but sit.

If you are reading this blog, you might recognize this scenario.  I work from 8:30 to 5 at my job, but it takes me about an hour to get there and a little more to come home.  So the majority of my waking hours are spent doing something about work.  I barely see my husband until the sun sets most of the year.  I don't have kids, but I have two dogs who are more underappreciated than they should be.  My weekends are also filled.  Friday evenings we have game night with friends.  Saturday is grocery day, chore day, cooking for the week day; and Saturday night we often have friends over for movie night.  Sunday is also a chore filled day, and every other week we host our science fiction writing group, which takes up most of the afternoon.  It is a filled life, but a happy one.

But I long to be creative.  To make pretty things, useful things.  To turn something used up into something useful.  To be creative.

The problem is, when I get home, cook dinner, and eat with my husband, I am too tired to do anything.  Sometimes it is physically tired, but mostly it is mentally tired.  I am drained, and all I want to do is vegetate.  I have dozens of projects started, but rarely finish anything, because I know it takes so much prep work to start a creative endeavor that it will take days to see the fruits of any labor.  I don't know about you, but I find it really hard to start a project if I don't have the time to finish it that evening.

My husband, Brant, said I should do something about it.  "Write a blog about what you do, your take on the things you make.  You have a very interesting take on what you do, and there are people out there who need to know it.  And you are wicked smart..."  Or something like that anyway.  So, I picked three of my hobbies that I don't ever feel I have time for, and make time for them.  These three are: baking, scrapbooking, and writing music.  I hope to fill this blog with where I find ideas, how to get started, how to stop in the middle of project and not forget about them, and pretty much anything else I can think of.  I hope you will stay with me through all these ramblings.  And together, maybe, we can keep our creative juices flowing.